From pop comebacks to international acts finding crossover success to gorgeous ballads and irresistible dancefloor bait, was quite the year. Here are the songs we couldn't stop playing this year. Think the vulnerable voice of Nina Simone waxing poetic about the ills of millennial dating. Following in the footsteps of international kings like Burna Boy and WizKid, Rema's crisp, charming vocals float over a bouncy rhythm that blends Afropop and hip-hop to create three minutes and 15 seconds of sheer joy. Sex sells, but Rapsody has never been one to conform to hip-hop's misogynistic views of women.
Lizzo – Tempo (feat Missy Elliott)
The fact that The Highwomen even exists is impressive. They make that statement over an unabashedly pretty melody, going in and out of duets and harmonies with seamless, generous sweetness. Carly Rae Jepsen has built a cult following on the power of her brand of pure, heart-on-your-sleeve pop. Her widely-praised third album was even nakedly called Emotion. Bandana , the widely acclaimed album from rapper Freddie Gibbs and producer Madlib, was forged in trying circumstances: Gibbs says he wrote most of the record in an Austrian jail while awaiting his eventual acquittal from sexual assault charges. And that something is a propulsive, infectious disco sensibility. With a retro-sounding melody that resonates across generational tastes, the song has already become a dancefloor mainstay. The combination is potent and haunting, hinting at the diversity of Latin music and the creative future it is inevitably heading toward.
Follow Billboard. All rights reserved. The past and the future combined in , a year of satisfying comebacks from veteran artists and exciting breakouts from newer ones. Read the list below, with a Spotify playlist of all at the bottom. An unlikely combination of three very different alt-leaning acts, "I've Been Waiting" is far more seamless than it has any right to be, finding common ground in the artists' shared pop sensibilities. As it toggles between vocals from all three, it's impossible to tell where the verses stop and the chorus starts -- it's all hooks, really, a song where every part feels like That Part.
You can listen to all songs that were voted for in our playlist. Mon 2 Dec M ore than 50 Guardian music writers were polled for their favourite albums and tracks of the year, and a bewilderingly complex spreadsheet was created to tally their votes. For the Serf s Up! Her incitement to cunnilingus is admirably casual, but Missy Elliott steals the show with her menagerie of purrs and trills.